Cécile Pitois explores the capacity of sculpture to connect body and space. Her current work produces areas where physical space and mental space merge amidst the flow of contemporary life. These “breathing zones” offer the opportunity to stop, to reconnect to our deep desires. This piece was originally conceived in 2003 as a public art space project for New York City, but the installation inhale-exhale from A to C was presented in the FIAF Gallery in New-York. To coincide with this exhibition, Cécile Pitois has given choreographers the opportunity to freely create performances that interact with her installation.

Cécile Pitois explores the capacity of sculpture to connect body and space. Her current work produces areas where physical space and mental space merge amidst the flow of contemporary life. These “breathing zones” offer the opportunity to stop, to reconnect to our deep desires. This piece was originally conceived in 2003 as a public art space project for New York City, but the installation inhale-exhale from A to C was presented in the FIAF Gallery in New-York. To coincide with this exhibition, Cécile Pitois has given choreographers the opportunity to freely create performances that interact with her installation.

Cécile Pitois explores the capacity of sculpture to connect body and space. Her current work produces areas where physical space and mental space merge amidst the flow of contemporary life. These “breathing zones” offer the opportunity to stop, to reconnect to our deep desires. This piece was originally conceived in 2003 as a public art space project for New York City, but the installation inhale-exhale from A to C was presented in the FIAF Gallery in New-York. To coincide with this exhibition, Cécile Pitois has given choreographers the opportunity to freely create performances that interact with her installation.

Cécile Pitois explores the capacity of sculpture to connect body and space. Her current work produces areas where physical space and mental space merge amidst the flow of contemporary life. These “breathing zones” offer the opportunity to stop, to reconnect to our deep desires. This piece was originally conceived in 2003 as a public art space project for New York City, but the installation inhale-exhale from A to C was presented in the FIAF Gallery in New-York. To coincide with this exhibition, Cécile Pitois has given choreographers the opportunity to freely create performances that interact with her installation.

Cécile Pitois explores the capacity of sculpture to connect body and space. Her current work produces areas where physical space and mental space merge amidst the flow of contemporary life. These “breathing zones” offer the opportunity to stop, to reconnect to our deep desires. This piece was originally conceived in 2003 as a public art space project for New York City, but the installation inhale-exhale from A to C was presented in the FIAF Gallery in New-York. To coincide with this exhibition, Cécile Pitois has given choreographers the opportunity to freely create performances that interact with her installation.

Cécile Pitois explores the capacity of sculpture to connect body and space. Her current work produces areas where physical space and mental space merge amidst the flow of contemporary life. These “breathing zones” offer the opportunity to stop, to reconnect to our deep desires. This piece was originally conceived in 2003 as a public art space project for New York City, but the installation inhale-exhale from A to C was presented in the FIAF Gallery in New-York. To coincide with this exhibition, Cécile Pitois has given choreographers the opportunity to freely create performances that interact with her installation.

Cécile Pitois explores the capacity of sculpture to connect body and space. Her current work produces areas where physical space and mental space merge amidst the flow of contemporary life. These “breathing zones” offer the opportunity to stop, to reconnect to our deep desires. This piece was originally conceived in 2003 as a public art space project for New York City, but the installation inhale-exhale from A to C was presented in the FIAF Gallery in New-York. To coincide with this exhibition, Cécile Pitois has given choreographers the opportunity to freely create performances that interact with her installation.

Cécile Pitois explores the capacity of sculpture to connect body and space. Her current work produces areas where physical space and mental space merge amidst the flow of contemporary life. These “breathing zones” offer the opportunity to stop, to reconnect to our deep desires. This piece was originally conceived in 2003 as a public art space project for New York City, but the installation inhale-exhale from A to C was presented in the FIAF Gallery in New-York. To coincide with this exhibition, Cécile Pitois has given choreographers the opportunity to freely create performances that interact with her installation.

Cécile Pitois explores the capacity of sculpture to connect body and space. Her current work produces areas where physical space and mental space merge amidst the flow of contemporary life. These “breathing zones” offer the opportunity to stop, to reconnect to our deep desires. This piece was originally conceived in 2003 as a public art space project for New York City, but the installation inhale-exhale from A to C was presented in the FIAF Gallery in New-York. To coincide with this exhibition, Cécile Pitois has given choreographers the opportunity to freely create performances that interact with her installation.